Rabu, 30 Juni 2010

[H136.Ebook] Fee Download Illustrated Dental Embryology, Histology, and Anatomy, 4e, by Margaret J. Fehrenbach RDH MS, Tracy Popowics

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Illustrated Dental Embryology, Histology, and Anatomy, 4e, by Margaret J. Fehrenbach RDH  MS, Tracy Popowics

Illustrated Dental Embryology, Histology, and Anatomy, 4e, by Margaret J. Fehrenbach RDH MS, Tracy Popowics



Illustrated Dental Embryology, Histology, and Anatomy, 4e, by Margaret J. Fehrenbach RDH  MS, Tracy Popowics

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Illustrated Dental Embryology, Histology, and Anatomy, 4e, by Margaret J. Fehrenbach RDH  MS, Tracy Popowics

Featuring a full-color review of dental structures,�Illustrated Dental Embryology, Histology, and Anatomy, 4th Edition,�provides a complete look at the development, cellular makeup, and morphology of the teeth and associated structures. A clear, reader-friendly writing style makes it easy to understand both basic science and clinical applications, putting the material into the context of everyday dental practice. New to this edition are updates on caries risk, safe levels of fluoride use, and prevention of periodontal disease. Expert authors Margaret Fehrenbach and Tracy Popowics provide an essential background in oral biology for student dental professionals, including excellent preparation for board exams.

  • Comprehensive coverage�includes all the content needed for an introduction to the developmental, histological, and anatomic foundations of oral health.
  • Hundreds of full-color anatomical illustrations and clinical and microscopic photographs�accompany text descriptions of anatomy and biology.
  • An approachable writing style�covers�the latest evidence-based information and makes it easy to grasp and learn to apply the material.
  • A logical organization�separates the book into four units for easier understanding: (1) an introduction to dental structures, (2) dental embryology, (3) dental histology, and (4) dental anatomy.
  • Key terms�open each chapter, accompanied by phonetic pronunciations, and are highlighted within the text, and a�glossary�provides a quick and handy review and research tool.
  • Clinical Considerations�boxes�relate abstract-seeming biologic concepts to everyday clinical practice.
  • Learning outcomes�at the beginning of each chapter clearly identify the information you are expected to absorb.
  • Summary tables and boxes�provide quick, easy-to-read summaries of concepts and procedures and serve as useful review and study tools.
  • Student resources on the Evolve companion website�enhance learning with practice quizzes, samplecase studies, review questions, and interactive exercises.
  • A bibliography�lists resource citations for further research and study.
  • Expert primary author Margaret Fehrenbach�is one of the most trusted names in dental education, and writes extensively, lectures widely, and consults for many of the major dental manufacturers and supply companies.
  • NEW! Updated coverage�includes the newest evidence-based information on orofacial embryology, especially enamel formation; orofacial histology including fibroblasts, microplicae, keratin, collagen proteins, aging, repair, 3-D tissue engineering, mucoperiosteum, dental pulp stem cells, and platelet-rich plasma; root anatomy; and the latest guidelines on dental biofilm, fluoride use, smile design, periodontal procedures, endoscopy, saliva testing, enamel remineralization, periimplant disease, myofunctional therapy, and orthodontic therapy intervention.
  • NEW color illustrations, photomicrographs, and diagrams�add detail and help to build comprehension.
  • NEW secondary author Tracy Popowics, PhD, provides research and expertise related to advanced dental content.
  • A student workbook�offers a wealth of interactive exercises, including labeling/structure identification to master anatomy, word-search and crosswordpuzzles for vocabulary practice, detailed guidelines for tooth drawing, and illustrated case studies with follow-up questions; in the back of the book, 32 removable flashcards provide practice on identifying permanent teeth and their features and characteristics.�Sold separately.

  • Sales Rank: #55187 in Books
  • Published on: 2015-02-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 10.00" w x .75" l,
  • Binding: Paperback
  • 352 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
I will not buy any other kindle textbook!! ...
By khoi nguyen
I will not buy any other kindle textbook!!!. I bought kindle version of this book and use it with kindle software on my MAC. The software does not have zoom in or out tool. Many tables and graphs are extremely small and cannot be read without zooming in. I did a small search around and found out that this issue has been there for years and people did complaint about in on amazon.com. nobody even care to fix it. and they still offering kindle textbooks for computer and MAC users!!!. unbelievable!!!

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Serves its purpose

0 of 0 people found the following review helpful.
The content was great and helpful
By ANABEL
The content was great and helpful. It was the book itself that I was dissatisfied with. The first time I opened the book pages started falling out. By the end of the semester I was having to keep the pages together with paper clips, instead of with the book. Poor quality glue.

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Rabu, 23 Juni 2010

[Q805.Ebook] Download Decaf, by Naveed A. Khan

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Decaf, by Naveed A. Khan

Where there is often little room for words, there is always a great need for expression. And when coffee cannot keep you up, you might find that conversation with the right person can. Decaf features a collection of writing by Naveed Khan inspired by just that, as he puts words to those things that often leave us speechless. Make Decaf your next coffee house companion.

  • Sales Rank: #1032271 in Books
  • Published on: 2014-01-06
  • Original language: English
  • Dimensions: 7.81" h x .40" w x 5.06" l, .40 pounds
  • Binding: Paperback
  • 160 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
I liked his micro poetry way more than the longer ones
By Xian Xian
Khan is a poet I found by accident. I think I found him in the similar section while looking for poetry. And I was attracted to the book and I honestly thought the book was going to be a warmth cuddle type of book. It kind of is. Although, I will admit that his poetry has definitely improved a lot over time. I follow him on Tumblr. That's how I know. I liked his micro poetry way more than the longer ones. But I will admit that a lot of it is kind of sappy and lovey dovey and says the same thing over and over with different wording. But that was something I knew was going to happen anyway. And I don't think that is necessarily a bad thing because that is what writing is all about. That is what Decaf is all about, releasing all the love and lust to make art. And art is what makes humanity grow in various ways. I guess this one was the wrong place to start because I know that most of Khan's poetry isn't love and sugary Star Bucks coffee. And the only reason why I didn't give this a terrible rating is because that Khan writes love's searing heat in the smallest amounts of words and few people can do that without sounding too cliche or mentioning love too much. But I guess this was also a coming age book of sorts. I will read more of his stuff.

"Sometimes, I see you fussing over bits of loose thread, but I assure you that you're not falling apart. No, you see, the artist really can't be blamed to have been unable to complete perfection. The needle deemed you fine as is. And well, I couldn't agree more."

Originally posted here: http://wordsnotesandfiction.blogspot.com/2015/06/mini-reviews-for-poetry-books-decaf-by.html

0 of 0 people found the following review helpful.
Stunning!
By Amazon Customer
I've had this book for a little over five minutes and it's already amazing. Not so much a novel as a book of quotes, I can't believe how well this uthor uses words! I have found some quotes in here that will stick with me forever. The one titled 'Decay', while erie, was such an amazing use of words and emotion that I couldn't help but bookmark it. I would highly recommend this to anyone who loves quotes as much as I do. :)

0 of 0 people found the following review helpful.
I loved it!
By Fida
I felt every word in each poem and page. I loved it! Thank you to the poet who shared his heart.

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Rabu, 16 Juni 2010

[K334.Ebook] Get Free Ebook [(Reading Lessons: An Introduction to Theory)] [Author: Scott Carpenter] published on (June, 1999), by Scott Carpenter

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[(Reading Lessons: An Introduction to Theory)] [Author: Scott Carpenter] published on (June, 1999), by Scott Carpenter

  • Published on: 1999-06-26
  • Binding: Paperback

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[W483.Ebook] Free PDF Hypnotism, by George Hoben Estabrooks

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Hypnotism, by George Hoben Estabrooks

  • Sales Rank: #5245303 in Books
  • Published on: 1944
  • Binding: Hardcover

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2 of 2 people found the following review helpful.
The seamier side of hypnosis
By Bernie
Remember the movie "KIM" (1950) with Errol Flynn and Dean Stockwell (KIM) as Kim sees the broken pot being put back together? The warning not to let someone gesture in a certain way?

Well G.H. Seabrook's covers it all from that angle. Although covering a large range of information he concentrates on what may be the negatives as shown in the table of contents.

1. Meet Hypnotism
2. The Introduction of Hypnotism
3. Usual Phenomena in Hypnotism
4. Posthypnotic Suggestion and Autosuggestion
5. Hypnotic States in Everyday Life
6. The Basic Nature of Hypnotism
7. Medial Uses of Hypnotism
8. Hypnotism in Crime
9. Hypnotism in Warfare
10. Hypnotism and Human Affairs
11. Conclusion

4 of 5 people found the following review helpful.
1950's Hypnosis Classic
By C In Virginia
This is a classic text on hypnosis. Very hard to find and fetches a premium price, but well worth it. Vendor was a joy to deal with. I'm reading the book through for the third time now. Interesting and thought provoking.

2 of 2 people found the following review helpful.
Must read
By Thomas O. Wood
Dispels a lot of myths propagated by licensed hypnotherapists. Also creepy as s*** to read a first hand account of hypnotism from a military hypnotist.

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Kamis, 10 Juni 2010

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Excerpt from The Nile Tributaries of Abyssinia: And the Sword Hunters of the Hamran Arabs

It would at first sight appear that, the discovery of the lake sources of the Nile had completely solved the mystery of ages, and that the fertility of Egypt depended upon the rainfall of the equator concentrated in the lakes Victoria and Albert; but the exploration of the Nile tributaries of Abyssinia divides the Nile system into two proportions, and unravels the entire mystery of the river, by assigning to each its due share in ministering to the prosperity of Egypt.

The lake-sources of Central Africa support the life of Egypt, by supplying a stream, throughout all seasons, that has sufficient volume to support the exhaustion of evaporation and absorption; but this stream, if unaided, could never overflow its banks, and Egypt, thus deprived of the annual inundation, would simply exist, and cultivation would be confined to the close vicinity of the river.

The inundation, which by its annual deposit of mud has actually created the Delta of Lower Egypt, upon the overflow of which the fertility of Egypt depends, has an origin entirely separate from the lake-sources of Central Africa, and the supply of water is derived exclusively from Abyssinia.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

  • Published on: 2016-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.11" w x 5.98" l, 1.96 pounds
  • Binding: Paperback
  • 548 pages

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Minggu, 06 Juni 2010

[Z209.Ebook] Ebook Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd Edition), by Dan Margulis

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Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd Edition), by Dan Margulis

Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd Edition), by Dan Margulis



Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd Edition), by Dan Margulis

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Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace (2nd Edition), by Dan Margulis

Described as the most “advanced, inspiring, insightful, maddening, demanding, and illuminating educational effort ever created for Photoshop,” the first edition of Photoshop LAB Color become the ultimate source of information on Photoshop LAB color correction for nonexperts to advanced users. The Photoshop LAB colorspace is extremely powerful and intimidating, but author Dan Margulis shows reader how to derive enormous benefits from just a few simple tools and techniques. Dan also demonstrates how to take these techniques as far as the reader wants, employing the power-user features he describes in later chapters. Starting with canyons and progressing to faces, readers will see how quickly they can begin improving images by following the recipes included in the book. A companion website includes exercise files that allows the reader to practice the techniques of the book.

With this book, readers will learn a reliable way to get much better-looking pictures much less time. Readers will learn:

* Why LAB is the first choice for serious image merging and advanced retouching.

* Simple techniques in the A and B channels to create fast, believable color variation and unbelievably good-looking images.

* How to use the A and B channels to create quicker and better masks and selections.

* A simple recipe for creating remarkably lifelike faces, offering major improvements even in professionally shot studio portraits.

  • Sales Rank: #172746 in Books
  • Published on: 2015-07-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.30" w x 8.00" l, .0 pounds
  • Binding: Paperback
  • 456 pages

About the Author
Dan Margulis is known as “the experts’ expert on the logical and effective ways to make any image look its best” (Design Tools Monthly) and “the father of digital prepress” (Scott Kelby). In 2001, he was one of the first three individuals–and the only writer–to be named as a member of the Photoshop Hall of Fame. In announcing this election, the National Association of Photoshop Professionals said, “Dan's ability to reduce complicated concepts to words that users can understand and his insistence on dealing with real-world relevance have made him today's most influential voice in color reproduction.”

Most helpful customer reviews

23 of 24 people found the following review helpful.
The Book That Unlocks the Mysteries of LAB Color
By Kevin H. Stecyk
Many years ago, I purchased Dan Margulis’s book “Photoshop LAB Color: The Canyon Conundrum and Other Adventures in the Most Powerful Colorspace.” At that time, I didn’t understand Photoshop’s channels and certainly didn’t understand LAB colorspace. Being relatively new to Photoshop, I was eager to dive in and learn. When I finished the book, I had an understanding of channels and LAB.

To many people, LAB seems like an esoteric and foreign colorspace. I found, however, that LAB made more intuitive sense than RGB. For example, I know that for the A and B channels, positive values are warm and negative values are cold. I like that the L channel is luminosity. To me, LAB readouts are logical and intuitive.

While I still do some of my work in RGB and occasionally in CMYK, my workflow makes extensive use of LAB. It’s in LAB where I boost or strengthen colors. Once you read the book, you’ll have a better understanding as to why more than one colorspace is used to complete an image.

Dan’s latest book is, of course, even better than his original book. Over time, Dan gained more knowledge through experience, and much of that knowledge has been passed along in his latest book.

In reading both books, I found that some of the supposedly easier chapters were more difficult than some of the supposedly more difficult chapters. Dan’s books require concentration to fully absorb the material. My process with the first book was to read the book cover to cover and then to reread it again. Then, I selectively reread portions where I needed further review. Having the good fortune of being chosen as a beta-reader for his latest book, I read each chapter as soon as it was released. Even with my prior background, I still had to work at fully understanding everything. Furthermore, I often read the chapters more than once.

While the prior paragraph might make the book seem overly difficult, that would be the wrong impression. Instead, you must be prepared to work to understand the material, especially if you are still on the steeper portion of the learning curve with respect to Photoshop. I am not a Photoshop guru. If I can learn the material, so can you.

Is LAB a cure-all or some magical colorspace that solves all issues? No, neither. Instead, LAB provides you with more arrows in your quiver. As you read through the book, you might find yourself occasionally thinking, “I might tackle this issue in another colorspace using a different approach.” That’s perfectly acceptable. Dan’s book is geared toward LAB. So he does everything in LAB to show you some different alternatives. You might find that you combine some of your techniques with his. There are, however, many methods or techniques within LAB that can’t be duplicated in other colorspaces. And, that makes LAB extremely powerful. Dan’s book provides you with additional resources that you might not have possessed.

Having said all that, let’s quickly review the chapters.

*Chapter 1: The Canyon Conundrum*

It’s a quick introduction to LAB. You will see LAB at work with some easier examples.

*Chapter 2: LAB by the Numbers*

Readers begin to understand how numbering systems work and how the channels work.

*Chapter 3: Freedom and Responsibility*

You learn about the power of LAB. One of challenges is not going overboard with LAB. The overall aesthetic you are trying to achieve will determine how much extra color you may decide to add.

*Chapter 4: Too Much is Just Right*

Throughout his book Dan teaches us that it is better to go too far, and then back off the intensity. He presents several methods for doing so. Another key learning is that it’s okay to go too far so long as critical elements of the photograph are kept in check. One challenge when working on images, however, is that we often become desensitized to our own creative work.

*Chapter 5: Knowing Right From Wrong*

Earlier I mentioned that I found LAB more intuitive because positive values in the A and B channels are warm. This chapter takes that whole discussion much further.

*Chapter 6: Sharpening for The Impressionist*

Dan provides a comprehensive discussion on sharpening, including why you might sometimes want to sharpen in LAB.

*Chapter 7: Entering the Forest: Myths and Dangers*

Some common misconceptions and myths are explored. As an example, is the best way to convert to a black and white image simply to use the L channel from LAB? While I won’t provide the discussion, the answer is, no.

*Chapter 8: The Readers Sum It Up*

Here the beta readers contribute some of their knowledge and experiences.

As we enter the second half of the book, the material generally is more advanced. As mentioned, sometimes you may find the more advanced material easier than the earlier material.

*Chapter 9: The LAB Advantage In Selections and Masking*

I found this chapter very powerful because it unleashes how to use LAB and its channels to create very effective masks.

*Chapter 10: The Product Is Red But the Client Wants Green*

For those that often change colors, say of garments, this might be the most important chapter for you. For others, it is more arrows in your quiver.

*Chapter 11: The Imaginary Color, The Impossible Retouch*

LAB allows us to create colors that are impossible, imaginary colors. We can sometimes create these colors to put color back into blown out and overly dark areas.

*Chapter 12: The Best Retouching Space*

For certain types of retouching, LAB has advantages over RGB and CMYK colorspaces. Dan provides some great examples of where LAB excels.

*Chapter 13: The Music of Noise*

Marco Olivotto, another beta-reader, largely wrote this chapter. It was one of the most popular chapters for our beta reading group. The topic, of course, is noise reduction.

*Chapter 14: Command, Click, Control*

I enjoyed this chapter because I learned how to easily create color differentiation amongst items that have a similar color.

*Chapter 15: LAB and Video*

Dan shows how LAB can be used in Photoshop to add more punch to your videos.

*Chapter 16: The Universal Interchange Standard*

Dan provides a discussion on colorspaces, color models, conversions, and calibrations.

*Chapter 17: Blending With the A and B*

A and B channels are used in creative ways for blending purposes. Even though A and B contain no detail, they can be used as blend sources to separate objects based on their color.

*Chapter 18: Canyons, Concepts, and Changes*

In many respects, this chapter is a review and discussion of the prior material readers have been exposed to.

The book contains a tremendous amount of information. For those of you who have read his first edition, you should know what to expect in terms of difficulty and rewards. For those who are new to LAB, this book will be extremely beneficial. At times, you will likely find it challenging, but your prize at the end of the process will be worth your effort. You will have a much better understanding of channels, LAB colorspace, and what LAB can do for you.

For my own personal work, when working with LAB, I am faster and more efficient. And, most importantly, I get much better results.

8 of 9 people found the following review helpful.
you will be amazed at what the humble photograph will reveal
By MikeyD
As a beta reader, I was honored to review what I consider the most comprehensive photoshop LAB color correction book to date. It builds upon the first edition and adds new insights and techniques that were developed since that time. Once you understand and develop these new methods, you will be amazed at what the humble photograph will reveal.

3 of 3 people found the following review helpful.
you owe it to yourself to get this if you are serious
By P. William Bane
I have bought very, very many books on Photoshop. and the books by Mr. Margulis are head and shoulders better than the others.

First, there is a theory, vs a mindless push this vs that button. Second, there is are lots of first class (and very expensive to print) photos in the book to see (!) how the application of the theory works, or not, as the case may be. Third, Mr. Margulis writes with a first person immediacy that is very motivating.

Having said all these good things, this book gives back in proportion to the time and attention put in, and this is not the deal that lots of people are looking for. If you are serious, you cannot do better.

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