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Navier-Stokes Equations (Chicago Lectures in Mathematics), by Peter Constantin, Ciprian Foias

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Both an original contribution and a lucid introduction to mathematical aspects of fluid mechanics, Navier-Stokes Equations provides a compact and self-contained course on these classical, nonlinear, partial differential equations, which are used to describe and analyze fluid dynamics and the flow of gases.

• Sales Rank: #1503759 in Books
• Published on: 1989-07-27
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .50" w x 5.25" l, .40 pounds
• Binding: Paperback
• 200 pages

About the Author
Peter Constantin is professor of mathematics at the University of Chicago. Ciprian Foias is Distinguished Professor in Mathematics at Indiana University.

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[F486.Ebook] Ebook Free The Theatre of E. E. Cummings, by E. E. Cummings

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The complete collection of E. E. Cummings’s writing for the stage, from the most inventive poet of the twentieth century.

The Theatre of E. E. Cummings collects in their entirety Cummings’s long out-of-print theatrical works: the plays HIM (1927), Anthropos (1930), and Santa Claus (1946), and the ballet treatment Tom (1935). In HIM, a creatively blocked artist and his lover, Me, struggle to bridge the impasse in their relationship and in his art. In Anthropos, a Platonic parable, three “infrahumans” brainstorm slogans while a man sketches on a cave wall; and in Santa Claus, Death and Saint Nick exchange identities. Harriet Beecher Stowe’s Uncle Tom’s Cabin is reimagined as dance, transforming the novel into a symbolic attack against Evil itself. Cummings’s prodigious creativity is on display in each of these works, which are ultimately about the place of the artist outside of society. “DON’T TRY TO UNDERSTAND IT, LET IT TRY TO UNDERSTAND YOU,” Cummings famously wrote about his intentions for the stage. Thoughtful and witty, Cummings’s dramas are an integral part of his canon.

• Sales Rank: #191136 in Books
• Published on: 2013-01-07
• Original language: English
• Number of items: 1
• Dimensions: 8.60" h x .80" w x 5.90" l, .79 pounds
• Binding: Hardcover
• 224 pages

About the Author
E. E. Cummings (1894–1962) was among the most influential, widely read, and revered modernist poets. He was also a playwright, a painter, and a writer of prose. Born in Cambridge, Massachusetts, he studied at Harvard University and, during World War I, served with an ambulance corps in France. He spent three months in a French detention camp and subsequently wrote The Enormous Room, a highly acclaimed criticism of World War I. After the war, Cummings returned to the States and published his first collection of poetry, Tulips & Chimneys, which was characterized by his innovative style: pushing the boundaries of language and form while discussing love, nature, and war with sensuousness and glee. He spent the rest of his life painting, writing poetry, and enjoying widespread popularity and success.

Norman Friedman is an emeritus professor of English at Queens College.

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The four stage works gathered together. Essential for Cummings readers.

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[R717.Ebook] PDF Download Sensational Subjects: The Dramatization of Experience in the Modern World (The WISH List), by John Jervis

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Under what conditions does 'sensation' become 'sensational'?

In the early nineteenth century murder was a staple of the sensationalizing popular press and gruesome descriptions were deployed to make a direct impact on the sensations of the reader. By the end of the century, public concern with the thrills, spills, and shocks of modern life was increasingly articulated in the language of sensation. Media sensationalism contributed to this process and magnified its impact, just as sensation was, in turn, taken up by literature, art and film. In the contemporary world the dramatization of these experiences in an era of media panics over terrorism and paedophilia has taken an overtly melodramatic form, in which battles of good and evil play out across the landscapes of our lives.

Sensational Subjects develops an innovative, interdisciplinary approach to exploring these themes, their impact and their implications for understanding the modern world.

A companion volume, Sympathetic Sentiments: Affect, Emotion and Spectacle in the Modern World is published simultaneously by Bloomsbury.

• Sales Rank: #3617803 in Books
• Published on: 2015-03-26
• Released on: 2015-03-26
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .73" w x 6.07" l, .0 pounds
• Binding: Paperback
• 248 pages

Review

“By inviting us to think about modern experience as both sensation and sensational John Jervis has written a book of wide-ranging importance. Sensational Subjects is a scintillating read.” ―Ben Highmore, Professor of Cultural Studies at the University of Sussex, UK

“Sensational Subjects is a remarkable theoretical achievement for its analyses of the fertile interrelationships between aesthetics and a politics of modernity rich in latent possibilities and animated by our "senses" in every sense of this term.” ―Morton Schoolman, Professor of Political Science, SUNY Albany, USA

About the Author
John Jervis is Research Fellow in Cultural Studies at the University of Kent at Canterbury, UK. He is the author of Exploring the Modern: Patterns of Western Culture and Civilization (1998), Transgressing the Modern: Explorations in the Western Experience of Otherness (2000) and (as co-editor, with Jo Collins) Uncanny Modernity: Cultural Theories, Modern Anxieties (2008).

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